Description:Over the last sixty years scholars and critics have focused on literary history and interpretation rather than literary value. When value is addressed, the standards are usually political and identitarian. The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond. Von Hallberg and Faggen have curated a diverse selection of authors to explore this topic. Volume 1 focuses on voice, language, form, and musicality. Stephen Yenser writes about Elizabeth Bishop, Stephanie Burt about C. D. Wright, Nigel Smith about Paul Simon, and Marjorie Perloff about Charles Bernstein, among others. The essays do not provide an exhaustive survey of recent poetry. Instead, Evaluations of US Poetry since 1950 presents readers with more than thirty different models of literary absorption and advocacy. This is done in explicit hope of reorienting the criticism of poetry.ACCLAIM“In Evaluations of US Poetry since 1950 , the editors have assigned a group of eminent poetry scholars the old task of defending they must defend poems they value and the values the poems bear. The result, contrary to the intuition that has led generations of poetry scholars to avoid evaluating the poems they study, is anything but undemocratic. These essays make American poetry a place of celebration (because the poems are truly compelling) as well as contest (because they are so different).”—Aaron Kunin, author of Cold GeniusABOUT THE AUTHORRobert von Hallberg is a professor of literature at Claremont McKenna College. He is the author and editor of several books, including The Maltese Falcon to Body of Spies, Noirs, and Trust (UNM Press).Robert Faggen is the Barton Evans and H. Andrea Neves Professor of Literature at Claremont McKenna College. He is the author, editor, and coeditor of several books, including The Cambridge Introduction to Robert Frost .We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Evaluations of US Poetry since 1950, Volume 1: Language, Form, and Music. To get started finding Evaluations of US Poetry since 1950, Volume 1: Language, Form, and Music, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.
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Evaluations of US Poetry since 1950, Volume 1: Language, Form, and Music
Description: Over the last sixty years scholars and critics have focused on literary history and interpretation rather than literary value. When value is addressed, the standards are usually political and identitarian. The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond. Von Hallberg and Faggen have curated a diverse selection of authors to explore this topic. Volume 1 focuses on voice, language, form, and musicality. Stephen Yenser writes about Elizabeth Bishop, Stephanie Burt about C. D. Wright, Nigel Smith about Paul Simon, and Marjorie Perloff about Charles Bernstein, among others. The essays do not provide an exhaustive survey of recent poetry. Instead, Evaluations of US Poetry since 1950 presents readers with more than thirty different models of literary absorption and advocacy. This is done in explicit hope of reorienting the criticism of poetry.ACCLAIM“In Evaluations of US Poetry since 1950 , the editors have assigned a group of eminent poetry scholars the old task of defending they must defend poems they value and the values the poems bear. The result, contrary to the intuition that has led generations of poetry scholars to avoid evaluating the poems they study, is anything but undemocratic. These essays make American poetry a place of celebration (because the poems are truly compelling) as well as contest (because they are so different).”—Aaron Kunin, author of Cold GeniusABOUT THE AUTHORRobert von Hallberg is a professor of literature at Claremont McKenna College. He is the author and editor of several books, including The Maltese Falcon to Body of Spies, Noirs, and Trust (UNM Press).Robert Faggen is the Barton Evans and H. Andrea Neves Professor of Literature at Claremont McKenna College. He is the author, editor, and coeditor of several books, including The Cambridge Introduction to Robert Frost .We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Evaluations of US Poetry since 1950, Volume 1: Language, Form, and Music. To get started finding Evaluations of US Poetry since 1950, Volume 1: Language, Form, and Music, you are right to find our website which has a comprehensive collection of manuals listed. Our library is the biggest of these that have literally hundreds of thousands of different products represented.