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Zarb-e-Sukhan

Ehsan Sehgal

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Description:Zarb-e-SukhanAuthor: Ehsan SehgalPublishers: Urdu Tehreek, HollandPrice: Rs. 1200/- Pages: 1007Daily Times, Lahore March 25, 2013A splendid poetry collectionBy Dr. Amjad ParvezKhwaja Ehsan Illahi Sehgal is the author of the collection of poetry titled ‘Zarb-e-Sukhan’, the book under review. It is a poetry collection written over a span of forty-two years by him. It comprises fresh poetry as well as that which was already published. The poetry of the book under review was widely appreciated in India, Pakistan and all over the Urdu world's circles. Many crooners in Pakistan have rendered Ehsan Sehgal’s poetry also. He is a poet, writer, journalist and an activist at the same time. His first publishing was in the shape of a novel ‘Khushi Ba’ad Gham’ in 1968 followed by a poetry book titled ‘Kalam-e-Sehgal’. Both met with a mixed response, the latter criticized more for its ‘Beher-o-Arooz’ (meters) rather than for its contents. That is why Ehsan probably is very particular in this regard and has taken pains to mention the meters below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Page 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib’s thought in the couplet ‘Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle’ (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan’s ‘Tu Apney Dukhon Ki Kar Na Baat/Yehi Dukh Main Nei Bhi Sahe Hain’ (Do not talk of your pains as I have suffered more) (Page 32). Ehsan Sehgal’s third poetry book ‘Sheher-e-Jazbaat’ was published in 1972 with two critical reviews by poet Ibn-e-Insha. Sehgal finds some pluses in Nazm format also. In this context, he refers to Paul Valery’s book ‘The Art of Poetry’ where the author has admitted that the restrictions on meters reduce the expression of emotions in poetry. Sehgal’s earlier poetry books are ‘Parwaz-e-Takhial’, ‘Andaz-e-Takhaial’, ‘Saaz-e-Takhaial’, ‘Naaz-e-Takhaial’, ‘Afkar Ki Khushboo’ and ‘Charagh-e-Dard’. Ehsan Sehgal dedicates a complete chapter on the nineteen meters in vogue traditionally and those not. Then he discusses twenty-four meters of ‘Rubai’ in a separate chapter. He goes beyond the traditional meters and gives the details of ‘Paband Sha’ari’ (poetry controlled by meters) on the principals of ‘Sabab, Watad and Faasila’.Each and every person has the ability to think but many lack the ability to express it. The one who has the ability to express is either a poet, a writer, a painter, a dancer or alike. Emotions have to accompany the means of expression. That is why Sehgal says ‘Yehi Abad Hei Yeh Azal Hei/Jamal-e-Rang-e-Sukhan Ghazal Hei’ (It is both the beginning and the end if a Ghazal has the beauty of colours of art in it – Page 144). This couplet identifies the ingredients of a Ghazal.The first chapter of collection of poetry comprises ‘Naatia Kalaam’ (poetry in praise of Holy Prophet Salalah o Ellehe Wasalam), the second ‘Manqabat’, the third Ghazals in the meter of ‘Rubai’ (Quatrain) followed by separate chapters on Ghazlain (Rubai meter) – 33 Ghazals, Ghazlain (Marawaj Aur Ghair Murawaj Auzan Kei Naye Tajrube) (experiments in the traditional and non-traditional meters) – 546 Ghazals, Rubaiaat, Mahiye, Paband and Nasari Nazms (Restricted and Prose poems). For the interest of poetry lovers, it is mentioned here that basically Ruba'i belongs to Persia and its meters had been created by a non-Arab poet Abul Hassan Rodeki and that was also brought into practice by non-Arab and Urdu poets. Link - http://archive.is/bvmhSWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Zarb-e-Sukhan. To get started finding Zarb-e-Sukhan, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 1008

Format: PDF, EPUB & Kindle Edition

Publisher: At American Book Centre, The Hague, Netherlands

Release: 2018

ISBN

Description: Zarb-e-SukhanAuthor: Ehsan SehgalPublishers: Urdu Tehreek, HollandPrice: Rs. 1200/- Pages: 1007Daily Times, Lahore March 25, 2013A splendid poetry collectionBy Dr. Amjad ParvezKhwaja Ehsan Illahi Sehgal is the author of the collection of poetry titled ‘Zarb-e-Sukhan’, the book under review. It is a poetry collection written over a span of forty-two years by him. It comprises fresh poetry as well as that which was already published. The poetry of the book under review was widely appreciated in India, Pakistan and all over the Urdu world's circles. Many crooners in Pakistan have rendered Ehsan Sehgal’s poetry also. He is a poet, writer, journalist and an activist at the same time. His first publishing was in the shape of a novel ‘Khushi Ba’ad Gham’ in 1968 followed by a poetry book titled ‘Kalam-e-Sehgal’. Both met with a mixed response, the latter criticized more for its ‘Beher-o-Arooz’ (meters) rather than for its contents. That is why Ehsan probably is very particular in this regard and has taken pains to mention the meters below each and every piece of poetry included in his present book. It must have been a gigantic, painstaking effort despite the fact that he does not believe in these restrictions (Page 14). Famous Indian poet Nida Fazli agrees with Ehsan Sehgal that the experiments in both traditional and untraditional knitting of thought process have been widely accepted and with the passage of time such changes have found a place in the mainstream literature. He compares Ghalib’s thought in the couplet ‘Tawaqo Khastagi Mein Jin Sei Thi Kutch Daad Paaney Ki/Woh Hum Sei Bhi Ziyada Khasta Taigh-e-Situm Nikle’ (The ones whom I looked forward, for encouragement were found to be victims of denigration more than I was) with that in Ehsan’s ‘Tu Apney Dukhon Ki Kar Na Baat/Yehi Dukh Main Nei Bhi Sahe Hain’ (Do not talk of your pains as I have suffered more) (Page 32). Ehsan Sehgal’s third poetry book ‘Sheher-e-Jazbaat’ was published in 1972 with two critical reviews by poet Ibn-e-Insha. Sehgal finds some pluses in Nazm format also. In this context, he refers to Paul Valery’s book ‘The Art of Poetry’ where the author has admitted that the restrictions on meters reduce the expression of emotions in poetry. Sehgal’s earlier poetry books are ‘Parwaz-e-Takhial’, ‘Andaz-e-Takhaial’, ‘Saaz-e-Takhaial’, ‘Naaz-e-Takhaial’, ‘Afkar Ki Khushboo’ and ‘Charagh-e-Dard’. Ehsan Sehgal dedicates a complete chapter on the nineteen meters in vogue traditionally and those not. Then he discusses twenty-four meters of ‘Rubai’ in a separate chapter. He goes beyond the traditional meters and gives the details of ‘Paband Sha’ari’ (poetry controlled by meters) on the principals of ‘Sabab, Watad and Faasila’.Each and every person has the ability to think but many lack the ability to express it. The one who has the ability to express is either a poet, a writer, a painter, a dancer or alike. Emotions have to accompany the means of expression. That is why Sehgal says ‘Yehi Abad Hei Yeh Azal Hei/Jamal-e-Rang-e-Sukhan Ghazal Hei’ (It is both the beginning and the end if a Ghazal has the beauty of colours of art in it – Page 144). This couplet identifies the ingredients of a Ghazal.The first chapter of collection of poetry comprises ‘Naatia Kalaam’ (poetry in praise of Holy Prophet Salalah o Ellehe Wasalam), the second ‘Manqabat’, the third Ghazals in the meter of ‘Rubai’ (Quatrain) followed by separate chapters on Ghazlain (Rubai meter) – 33 Ghazals, Ghazlain (Marawaj Aur Ghair Murawaj Auzan Kei Naye Tajrube) (experiments in the traditional and non-traditional meters) – 546 Ghazals, Rubaiaat, Mahiye, Paband and Nasari Nazms (Restricted and Prose poems). For the interest of poetry lovers, it is mentioned here that basically Ruba'i belongs to Persia and its meters had been created by a non-Arab poet Abul Hassan Rodeki and that was also brought into practice by non-Arab and Urdu poets. Link - http://archive.is/bvmhSWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Zarb-e-Sukhan. To get started finding Zarb-e-Sukhan, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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